Tuesday, April 12, 2011

Nicole Hand Printathon

Yesterday was a full day in the shop with a support group that inked and printed almost 40 impressions, four plates and six colors - that's 160 pulls through the press. This group was the last combination of printers on the last impression: Donna Stallard, Nicole Hand, Wende Cudmore, and Danielle (Dani) Maudlin.



Nicole gave an impromptu presentation to about 60 students during the day. Talking about her works, its processes and content.



At the beginning of the day, donna was the 'yellow' plate.



Arts and Letters Academic Advisor, Greg Roberts, stopped by the shop to meet Nicole and see the progress of print.



Nicole and Wende examine one of the first impressions of the day.



Check by later, there'll be a wrap-up of images and commentary.

Sunday, April 10, 2011

Nicole is in the shop!


Nicole arrived today, and within a very short period of time pulled a beautiful proof. A four-plate color intaglio. The above image is one of Nicole's prints she created for the Vitamin I Portfolio from 2008. She will be in the shop through Wednesday morning. On Tuesday, from 1:30 - 3:00 and from 6:15 - 7:45, Nicole will show and discuss her portfolio of prints and the current project for Rolling Knob Press. If you can't make either of those presentations, please stop by anytime to see the progress.

Thursday, March 10, 2011

New Intaglio prints

The beginning printmaking class has been working on their first intaglio prints. Here are examples from our midterm critique.




Anna is exploring the theme of "home" in her work this semester. In this print she incorporated soft ground, aquatint, and chine colle.


Nick is visiting all the things he likes to do; it's a Nick world. In this print, he pushed his aquatints with lots of scraping and burnishing, and after inking the intaglio he did a surface roll over the plate.


Daniel and/or Frank is expanding the beauty of sound and movement in his work. Here he interpreted the scratchy sounds of DJing, even allowing the edges of his plate to become scratchy (intentionally).


David is looking at robotics and technology and it's impact on human beings. A cyborg skeleton with aquatint, roulette, and a surface roll yields an interesting interpretation.


Dani is looking within to explore self-portraiture. In this intaglio print she has chine colled the figure onto a thin decorative paper later mounted onto a piece of handmade paper.

All five of these print are well executed through a variety of processes, and represent strong first attempts at the intaglio process. Later in the semester we will all be creating another edition of prints for a theme-based exchange portfolio (Self-Portraits). Each participant will print an edition of 11, for 17 portfolios. Each portfolio will contain 10 random prints from the class. Extra credit will be awarded for the uniqueness and the craftsmanship of the portfolio containers.

I'll be back soon to show what the advanced group is up to.

Wednesday, February 16, 2011

Wild and Wooley Video

Brian Harper has posted a video of Rob's visit on his blog and shared it with me to post here. Enjoy.

Rob Wooley Day in the Printshop


Rob Wooley was our visiting artist in the print shop yesterday and he stayed busy from early morning until late in the evening. He discussed the directions of his recent work, and the explorations with a variety of materials, including exotic papers that he chine colles onto one-of-a-kind prints. His two demonstrations were very informative. It was great having him back in the shop.



We all gathered around to look at the portfolio of prints that Rob brought with him. The layering of paper that he's utilizing with his work creates some really beautiful images, subtle veils of color and texture like the print at the top adds an almost spiritualness to the images. There are no longer hands or figures or portraits in his images, or at least not that are immediately readable. But instead dense textures, passages of light, and movement of amorphic shapes. Pretty amazing things happening in his work in what seems like a relatively short time.



Here Rob demonstrates the application of a tusche wash on a zinc plate, pushing it around while it's fluidity allows. After it dried, he etched it in nitric acid. The particles of the tusche produced a rich and velvety aquatint.



We had some refreshments before Rob began his presentations. Miranda was all about it!

Thursday, February 10, 2011

Visiting Artist Rob Wooley

Rob Wooley, BFA alumnus 2010, will return for a day of printshop demonstrations on Tuesday, February 15. Rob is currently pursuing his MFA in printmaking from the Herron School of Art. Rob will be demonstrating a process that replicates tusche washes on etching plates and possibly another that involves waxing prints. It'll be a print party so bring some goodies so we can keep him fed.



Last year's Rolling Knob Press artist, David Morrison, created a multi-colored, multi-plate lithograph. Rob served as the chief assistant in the printing of that edition.


The installation of Rob's thesis exhibition in the Barr Gallery that included lithographs, silk screen prints, digital prints, offset prints, and a variety of mixed media.

It'll be good to have Rob back in 'his' printshop.